Three new war writing anthologies!

My mind is a little blown and my heart is a lot grateful to be part of three new anthologies. It's thrilling to be published, and even more so to be part of these important books covering new ground in war literature. Check 'em out!


Retire the Colors: Veterans & Civilians on Iraq & Afghanistan (Hudson Whitman/Excelsior College Press)

Available now!

Edited by Marine and Iraq veteran Dario DiBattista, this collection of essays was specifically curated to bridge the military-civilian divide by sharing new, unique, humanizing perspectives of war and its aftermath. These are not stories of Hollywood war heroes. They're stories of love and loss, parenting, going to school, growing up, meeting new people. Men and women living their lives—who also happen to be straddling two worlds, and sometimes those worlds collide. My veteran-writer husband and I have a bookshelf full of war literature, but we don't have anything else like this collection.

Join us for a reading/discussion in Seattle! 



The Road Ahead: Fiction from the Forever War (Pegasus Books, Jan 17, 2017) 

Preorder now!

A diverse collection of contemporary war fiction put together by veterans/prolific writers and thinkers Brian Castner and Adrian Bonenberger. These 24 unique voices address war from all angles (and when I say all I mean surrealism and metaphor and all sorts of other strange and wonderful things). It's a think piece of an anthology, but also shockingly accessible—and sometimes just plain shocking. The kind of intimate, brutal truths best revealed through fiction.


Stay tuned for events across the country!

 

It’s My Country Too: True Stories of Women Under Fire from the American Revolution to Afghanistan  (University of Nebraska Press/Potomac Books, July 1, 2017)

Preorder now!

Women have been involved in warfighting since warfighting began. Yet our perspectives are largely absent from historical accounts, and certainly from the war literature canon. Enter editors Jerri Bell and Tracy Crow, who scoured the archives—from published memoirs to personal diaries, letters, and service documents—to compile what I like to call an encyclopedia of women's war stories. But don't let the word "encyclopedia" scare you away. These stories are anything but dry historical accounts; they're riveting first-person narratives, framed by era-specific context that speaks not just to women or the military, but to life and the world. This book is brilliant, necessary, and long-overdue.

HAPPY READING! 

An attempt at Throwback Thursday

I don’t normally participate in the Throwback Thursday trend, you know posting old photos where I look all young and cute (maybe because my old photos usually trend toward young and dorky?), but today I’m feeling nostalgic. And it’s Thursday. So here goes.

#tbt

Here’s me approximately two years and eight months ago, sneaking in late to the Emerson College New Graduate Student Orientation (I hadn’t learned that the MBTA requires buffer time built into your schedule), and sitting stiffly through a day of death-by-powerpoint presentations reminiscent of military briefings, except instead of camo the audience was in plaid. We were herded to our department meetings, where the Writing, Literature and Publishing program (predictably, in hindsight) miscounted and didn’t have enough chairs. Look! There’s Jen and Shannon sitting on the floor! The department head gave a speech that equally excited and freaked me out. Something along the lines of: everything up until this point doesn’t matter; you need to prove you belong in this program.

Here’s me a week later, in my first ever graduate nonfiction writing workshop, passing out copies of a bare-all-my-baggage essay about my post-deployment mental health struggles to a group of people I’d known for approximately two hours. I knew them enough to know most had little experience with the military. This was New England. This was academia. Here’s me wondering if I’m a masochist.

The feedback those strangers gave me the following week propelled me to a year later. Here’s me submitting that same essay to a contest with Glamour magazine. Here’s me dancing around the living room on the phone with an editor after she informs me that I won.

Here’s that essay last October in the magazine. Here’s that essay last month in my graduate thesis. There’s my cap and gown, ready for Sunday’s commencement ceremony.

When I left the military in Dec 2010, I applied to graduate school in part because I didn’t know what else to do. I was giving up financial stability for (at least temporary) geographic stability. The economy sucked. I had no expectations of a creative arts degree setting me up on a financially viable career path, but I was ready to take a risk to try my hand at something I loved. I hoped Emerson would help me become a better writer and find my footing in the publishing world.

My amazing, talented, and super serious Emerson gang

I never expected my classmates to become my best friends. As it turns out, swapping baggage facilitates bonding. We read the most intimate details of each other’s’ lives, and we weren’t strangers anymore. We were supporters, cheerleaders, commiserators, grammar Nazis, drinking buddies, and so much more.

I didn’t expect to not only find my footing in the publishing world—I’m graduating with a decent publication record, a year of editorial experience, and even a couple paychecks—but also to be welcomed into a talented, vibrant community of veteran-writers. (I definitely didn’t expect to be engaged to one of them!) Here’s us sitting around a restaurant table at an annual writing conference in March. I look around at the array of funky-to-nerd-chic hairstyles and listen in to a conversation analyzing Ulysses as a post-war model for the “new man,” and remark: “Looking at us, you’d have no idea we’re all veterans.” Across the table someone observes: “I think we’re all that one person who didn’t quite fit in in our units.”

Here’s me finding my niche.

Happy graduation, and thanks beyond words to everyone who helped me get here. 

On the next decade

Well hello, Blogosphere. It’s been a while. 

It’s been so long that it’s now 2014…how did that happen? It’s been so long that I’m now 30. Eeek…how did that happen? But, perhaps contrary to the opinions of popular culture, I’m actually excited to be moving into this new decade.

My 20s were fine, but they were messy. There were the typical growing up things: going to college, getting my first full-time job (for which I felt sorely unprepared), living on my own, suffering through more than one broken heart. There were things that on the eve of my 20s I couldn’t anticipate: moving across the country not once but three times, running a marathon, buying a condo, going to war, needing therapy.

There were things that made me feel powerful. Things that made me feel mature. Things that made me feel hopeless and helpless and weak. Mostly, I fumbled. What I lacked in job experience I made up for in time and energy. I threw myself into work and “love” and play with the fervor that only a 20-something can, alternately having fun and trying to outrun the cynical voices of my young psyche: What am I doing? What am I supposed to be doing? How do I do this? What does this mean? What’s the point? WHO AM I?

I know these struggles are not unique to me. Our 20s are inevitably a time of transformation—from our social circles, to our professional lives, to our priorities, right down to our brain structure. But I think these issues are intensified in a military environment—and/or when you leave that environment.

A very military family, at my commissioning

I signed my military contract at 18. For the next four years, I was a college student, but mostly I was an ROTC cadet. I was held to the standards of conduct and grooming commensurate with my position as a soon-to-be Air Force officer. Because we spent so much time together and because, for the most part, we shared similar values, my ROTC classmates became my best friends. ROTC activities (both official and unofficial) dictated my social life.

After I commissioned, the Air Force moved me across the country—about as far as one can move from home without crossing an ocean, from Seattle to the Florida panhandle. Again, this is not an entirely unique situation, but the military transition is unique in that it serves as a half-step of sorts toward independence. I was living on my own for the first time, but I had assistance finding a place and a housing allowance once I did. I was in an unfamiliar area, but I had a whole city of a base to fulfill my basic needs. I knew no one, and though as a young, single female officer in a small unit it was harder to meet people in my demographic, it was easy enough. (I may or may not have stalked every female 2^nd Lieutenant in the base’s network and sent a mass email about getting together for dinner…). I didn’t need to stress over what to wear in the morning.

A military base is a strange microcosm of real life. At once intimate and segregated. The learning curve is steep because the stakes are high, yet always governed by rules, regulations and routine.

Most strikingly when it comes to the tumultuous 20s, as a servicemember, you must internalize the values of the military. You must talk the talk and walk the walk, because everything you say and do reflects on the military. As a public affairs officer, where my job was to promote support for the Air Force, I—rightly or not—took this to the highest level. I drank the Kool-Aid. The Air Force ideology became my ideology. The badge on my uniform all but declared me [Property of] U.S. Air Force.

Then I deployed and gained exposure to other ways of thinking and to the shortcomings of the ways I’d adopted. Isn’t that what your 20s are about? Gaining perspective? Learning and growing? Sometimes it comes gradually, through a natural progression of experiences. Sometimes, it metaphorically whaps you in the head with a 2x4.

My one-size-fits-most military persona was shattered. Shortly thereafter, my contract was up and I re-entered the civilian world. And all those things the military had cushioned for me during my last “coming of age” were no longer there. I didn’t have a career trajectory set out in front of me. I half-heartedly applied to a few jobs in the PR field, which seemed safe and logical but unsatisfying. I took a leap and followed a dream and applied to grad school to study writing (because an English major wasn’t financially unviable enough).

I moved across the country. Again. But this time I didn’t have military movers to help, just my parents and seven suitcases and a series of hiccups in the condo sale and a very patient lawyer and a hotel an hour away and a hostel downtown and the couch of a generous grad school classmate who thankfully didn’t think I was a homicidal maniac.

I spent hours trying on different outfits, trying to figure out what style suited me (anything

but camo and combat boots was fair game!). I was self-conscious as a non-native New Englander and a non-traditional student, and had to constantly remind myself that I didn’t need to censor what I did or said—that autonomy was both liberating and terrifying.

Despite the marvel of Google maps, I got frustratingly lost in my new city. Boston felt enormous and crammed with people, yet I struggled to connect with anyone outside my grad school classes. I tried on-line dating and seriously considered joining a convent.

But in the big enormous city I also discovered the wonder of freedom. I could be anonymous. I could be a student, I could be a veteran, I could be a hermit-writer-cat lady, or all of the above. With my new wardrobe, I could chose to stand out or blend in. In class, I could listen to lectures and feedback, take time in forming my own opinions, and present them how and when I chose. I could speak my mind. Or not.

It’s finding our individual windows of freedom and getting comfortable there, I think, that our 20s are all about. With is prescribed structure, the military complicates that process. But I also credit the Air Force for shaping my window with a breadth of experience and contact with people that helped move me a few steps closer to answering that elusive “Who am I” question.

I’m starting this next decade with a pretty good idea.

If the world ends, at least I'll have been in a book

A while back I wrote a poem. Or, I wrote something that maybe kinda sorta a little bit resembled a poem. (Hey, I write nonfiction. The extent of my poetic knowledge is Where the Sidewalk Ends. But sometimes content just begs to written in a different way.) On a whim, I submitted my poem-ish thing for publication in an anthology of veteran writing. And to my surprise, it was accepted!

Look! My name's in print!

Just before Veterans Day, my poem, as well as a short essay, were published along with the work of 60 other veterans in Proud to Be: Writing by American Warriors. I may be slightly biased, but it's a pretty amazing collection, featuring writing from both veterans and their families, spanning from World War I to Iraq and Afghanistan, covering the experiences of medics to infantrymen to staff officers.

I'm still reading through the pieces—I have to take war literature in small doses—but every essay, story and poem hits me in a deep, intimate way. Regardless of the era or the battlefield, there's a thread through each; a raw, emotional something I can relate to. It's once again a testament to the veteran connection. And to the power of art to bring people together. 

It's easy to feel isolated by your unique experiences; we need reminders like this to show that we're not so alone, after all.

Veterans and non-veterans alike, I encourage you to check out Proud to Be. It's available from the Southeast Missouri State University Press, Barnes & Noble, or Amazon.

Since the rights revert back to me (and since I'm a shameless self-promoter), here's a sample of the content, my first published poem:

          The Soldier’s Two-Step

Barely five feet tall, she does not hunch under sixty pounds of body armor and supplies.The girls in rags run up to her, tell her she is strong. “No,” she says, “You are strong.” And she is right. And so are they.

She cries into a pink pillowcase she brought from home. For a son’s broken heart, a daughter’s birthday, an anniversary, missed. Dancing between two worlds; her partner the cold barrel of a gun, music the hollow tones of war and hollow, cheerful voices on the phone. This is the melody of loneliness.

The women ask why. Why the risk, the sacrifice? Why do you care? “All mothers are the same,” she tells them, “It doesn’t matter what language you cry in.”

The men don’t ask, they demand: more buildings, more money, more time. She carries the promise on her small shoulders; sharp-edged expectations of two countries. This is the burden of hope.

 In her absence, the broken heart mended, birthdays and anniversaries were celebrated. She is haunted by all that she missed and all that she left, unfinished, behind. The little girls’ faces in her little girl, the purse where armor should be.

From boots to high heels, from gun to spatula, from Humvee to minivan, she keeps dancing. Because they need her to. And because she is strong.

To celebrate the launch of the anthology, several contributors read their pieces for a packed house at a poetry center in St. Louis. Watch a video compilation of the event:

Check out these news stories, reviews and posts by contributors:
The Missouri Humanities Council publication announcement
A review that quotes my poem! Legit!
Thoughts from the fiction contest winner Monty Joynes--who wrote his winning story, chronicling a medic's first days in Vietnam, 34 years ago!
Reflections on the anthology and launch by contributor Jan Morrill, who wrote about her uncle's World War II service

Proud to Be is the first issue of an ongoing anthology series. Submissions are now being accepted for Volume 2 in poetry, fiction, nonfiction, photography, and interviews with warriors. All military personnel, veterans and military family members are eligible. Send in your work now!

Proud to Be is published in partnership by The Missouri Humanities Council, Warriors Arts Alliance and Southeast Missouri State University Press.

The limits of “therapy”: Some writing on not writing

I left the Air Force, I moved across the country, I enrolled in grad school, I started a blog to write about war. But I never said writing about war was easy.

I said it was therapeutic. And it was. Until it wasn’t.

I can’t pinpoint exactly when that shift occurred – I think it’s been shifting for a while – but it manifested itself in a very unattractive emotional breakdown last week. In the midst of my crying/nose blowing/self-pitying incoherent sob-infused mumbling, I had an epiphany: writing about painful experiences is painful.

Okay, that wasn’t really an epiphany… it’s pretty self-explanatory: Writing a personal account of a traumatic event means reliving, re-engaging, re-imagining said event. Of course it sucks! But writing also means processing, intellectualizing, making peace with the event, essentially ripping off the Band-Aid and exposing the raw wound so it can be treated properly. So you can heal.

Writing is proven effective in promoting healing after trauma – proven through my personal experiences and through legitimate scientific and psychological research. Cognitive Processing Therapy, one of the main methods currently being used to treat PTSD in military veterans uses writing as a key component; it’s a direct antidote to the PTSD tendency of “avoiding people or experiences that remind you of an event.” (My boyfriend, Colin, chronicles his personal experiences with Cognitive Processing Therapy in a blog series for Copaiba.org)

What I realized, though, as I writhed on the floor of my boyfriend’s car (seriously), is that there’s a limit to how much healing can take place within the delicate balance of reimagining and intellectualizing. Too much of the former too soon following the event, or within too short of a timeframe, and the brain can’t progress to the latter.

Looking back, I think I tipped the scale during my final assignment last semester. I wrote a piece about my first experience with death in the military; a friend was killed when the aircraft he was piloting crashed in Afghanistan. Understandably, it was a hard piece to write. But the event had been gnawing at me . . . I knew I had to process it, and writing was the best way I knew how. It was painful, but I had a deadline, so I gutted it out, vomited everything up on paper. As happens with vomit, the result was a bit messy.

Armed with feedback from my class, a few weeks ago, I set out to clean up the mess. But I couldn’t. Literally. Not only could I not write any more about the event, I couldn’t even think about writing without feeling physically ill. When I wasn’t feeling ill, I was feeling terrified because I was reminded of the last time my psyche forced me to stop writing – In Afghanistan, when I slipped into my own version of the Dark Ages and wasn’t sure I’d ever find my way out.

The emotional breakdown came later, when the same ill feeling crept into other efforts at other pieces. From there it was a short leap to doubting the validity of my future plans, cursing my lack of focus/motivation/organizational skills, the malicious cycle of getting upset over getting upset, dubbing myself a failure, writhing on the floor of my boyfriend’s car.

They say if life gives you lemons, make lemonade. But what if you don’t like lemonade? What if you’re allergic? What if you can only drink small doses and life just so happens to give you a crapload of  lemons?

Maybe I need to wait for my lemons to ripen a bit (though patience has never been my strong suit). Maybe I should just throw some away, try some apples instead.

Maybe I shouldn’t be mixing school (or indeed, my future livelihood) with “therapy.” Maybe I shouldn’t put so much pressure on myself to be productive (and gag the inner voice that keeps telling me it’s the whole reason I’m here!). Maybe I need to stop defining productivity in terms of numbers of pages – and numbers of pages that directly apply to my now very scattered and incoherent thesis project idea (see previous parenthetical).

Maybe I should forget about maybes and what ifs, have a glass of wine and go to bed.

If it was that easy – if anything was – this blog would be pretty lame. 

Today, I cry

Sometimes I look at old pictures. Sometimes I listen to songs – you know the kind, the ones that “take you back.” Sometimes I grab a pint of ice cream and a box of Kleenex and put on the saddest movie in my chick flick collection. Sometimes, like today, I dig through articles and watch videos honoring men who died too soon.

Because sometimes I just need to cry.

Sometimes they keep me up at night – spiraling memories and should-have-beens. Sometimes I shut them out, tuck them away again on the other side of Sometime, and drift into happier dreams. Sometimes I summon them, to trace the outlines of a friendly smile, an eye roll, an early morning jog, a final salute to a passing hearse.

Because sometimes I’m afraid that if I don’t remember, no one will.

Sometimes I write. Sometimes my pen hovers over blank pages. Sometimes the words flow freely – into a tribute, a memory, the everything and nothing I can give.

But sometimes, it’s never enough.

Sometimes I just need to cry.

This Memorial Day I honor:

Maj Randy Voas, KIA Oct 8, 2010

Capt Ryan Hall, KIA Feb 18, 2012

Lt Col JD Loftis, KIA Feb 25, 2012

And all those who made the ultimate sacrifice

Maybe someday I’ll be able to remember without being sad. Maybe I won’t. But maybe that’s okay.

Veteran-Writers and the surprising benefits of stalking

Last week I stalked someone.

For those of you who don’t know me, I do this a lot. Don’t worry, it’s not as creepy as it sounds (at least that’s what I like to think...). I’m just being resourceful! That’s what Google is for, right?

Anyway, last week my stalking victim was Colin D. Halloran, a former Army Special Forces Infantryman, Afghanistan veteran, poet and veterans advocate. I learned that Colin and I would both be at the Association of Writers & Writing Programs (AWP) Conference last weekend in Chicago, where he was signed up to lead a panel about helping veterans transition “from Combat to College” through writing programs. Because I’m in the midst of such a transition myself, and because I’m a writer, and because I get giddy when I meet other veterans, I was intrigued. So I stalked Colin. And, perhaps against his better judgment, he was receptive.

Colin and I met the first day of the conference. In the great tradition of writers (and military veterans) everywhere, we talked over drinks. We exchanged the basics: time in service, job titles, home stations and deployed locations. We discussed our respective MFA programs. I complemented Colin on his "very un-Army" blazer and bowtie. Then, for some incredible reason, he trusted me enough to bare his soul, allowing me to pick through it in the pages of his unpublished book of poetry. The fact that he opened himself up to me two hours after we met (and after I’d stalked him!) is a testament to the veteran connection.

Now, I’m first to admit that I don’t know much about the craft of poetry. I just know how it makes me feel. And reading Colin’s poetry felt like he was reaching straight into my soul. It felt like he had inserted a device into my brain that chronicled my thoughts and fears, sorted through and unscrambled them, sucked them out and fashioned them into something tangible and accessible and – against all odds – beautiful.

It was awesome! And kind of frightening. How did this unassuming guy I just met understand so much about me?

I’ve felt a similar bond with other veterans; people who “get it,” who've “been there, done that,” who can relate to all the complicatedness spinning around in my head. It’s wonderful reassurance that I’m not alone.

Meeting a veteran-writer, as it turns out, is a double-whammy. Here’s someone else who knows what it’s like to feel a piece of writing bubbling up inside you, the manifestation of an experience trapped for too long in the past. Someone who knows the wave of relief and the drain of exhaustion that comes from finally letting it out. Someone who used to deny the big hunk of his identity that’s wrapped up in his veteran status but doesn’t anymore because of his writing. Someone who understands the power writing gives him over his experiences and tries every day to harness it. Someone who writes because he has to.

Even though we’re newly acquainted, I’ll be brash and assert that Colin D. Halloran is pretty amazing. Despite suffering from PTSD and a knee injury that forced him to be medically evacuated from Afghanistan, he wants to go back to war. He wants to pick up where he left off, to complete his “unfinished business” supporting his unit and serving his country. Amazing, right? But when I told Colin that, he shrugged it off. It’s just part of the job. Such a Special Forces response.

Colin’s poetry is profound. (SPOILER ALERT: If you stick with this blog post to the end, you’ll have the distinct pleasure of reading a piece!) Beyond being a darn good writer, though, he hopes his writing will help others. I don’t think it’s a stretch to say that it already has.

A former public school teacher, Colin gives readings and speaks to teachers and student populations about the unique challenges veterans face when transitioning to a school environment. He advocates writing classes in particular as a way to create a safe space where veterans can find common ground and begin to intellectualize their experiences.

In his AWP panel, Colin stressed that civilians can’t understand what soldiers have been through until soldiers understand what they’ve been through. That’s where writing comes in. Colin has been there. I've been there. We’re still there, hovering somewhere along the spectrum of healing and understanding. I imagine we’ll be hovering for a long time. Maybe forever. Hopefully moving, slowly but surely, in the right direction.

Hovering sometimes can be disconcerting. But it’s always nice to know I’m in good company.

Shout out to Colin’s fellow AWP panelists, more amazing people doing important work:
Christine Leche, a writing professor at Austin Community College, who teaches veteran writing courses. She has spent several months teaching soldiers in deployed locations and is the editor of a forthcoming anthology of veteran writing.
Charlotte Gullick, head of the creative writing department at Austin Community College, who has taught veterans.
Kelly Dalton, a Navy veteran and discourse community specialist.

Shout out to my traveling buddies Shannon and Krysta.

Shout out to AWP for supporting the wonderful world of literary dorkdom and to Chicago for being a cool town.

Now, as promised, a poem, courtesy of Colin D. Halloran:
(Watch an Colin Read an excerpt from this poem here)

THE SECOND STORY WINDOW DOESN’T SEEM SO HIGH

Or maybe it does.

I find it hard to know just what I think these days. I cannot trust the thoughts I think I think – I think.

In war I thought it all was so uncertain, but uncertainty was guaranteed. But here, college, and of all places freshmen Psych class, where certainty should be ensured by class lists and start times, I’m uncertain once more. And this window doesn’t seem so high.

I wouldn’t think of jumping (though clearly I just did). And if I can’t trust the thoughts I think I think should I put faith in the unthinkable?

Other students are looking out the window too. This window with a perfect view of approach routes, of the roof of the buildings across the street, of the main intersection. The seventeen cars that have passed. The three that have done so twice. Are the others noticing these things too? Are they aware how high it is? Or isn’t?

My peers (though it somehow seems unfit to use that word – I never complain about the weight of my backpack), they daydream. They gaze, detached, out the window because out there is not in here and in here there is a woman talking, droning, about drinking. Alcohol.

I drink alcohol. Beer mostly, but never the cheap stuff. I was cursed with a palate. Sometimes wine. This palate is developing. But that’s out there. And out there is not in here. I cannot drink in here because in here is school and out there is not, though I learn (and maybe more). And in here, here being school, there is a woman talking about alcohol.

Some guys (boys?) have stopped looking out there and begun to pay attention to this woman. She has asked who in here drinks alcohol out there. These fellows think they’re cool. I can tell because they nudge and do the “bro-nod”. Chuckles. I indicate, more reverently, that I can be counted in this category.

She moves in.

Questioning, frowning. Why? How? Fake ID? I must be wrong. This is a class for freshmen. This is why she is here. To talk to first years about their first years and the dangers we’ve been warned of since 7th grade.

But the dangers I’ve faced did not come from college bars, from darkened street corners. The four years that separate me from those wedged into desks around me carried me to places they only see in books, on TV. No streets for corners, no college for bars. Just violence from an unknown enemy. That was always certain.

So now I sit, and think the thoughts I think or dare not to, and while those around me dream, I can’t help but notice that this window doesn’t seem so high.

YOU CAN STALK COLIN TOO!
Read samples and purchase his forthcoming poetry collection here
Visit his website
Follow him on Facebook
View his blog series from Copaiba Press: "Witness", "Speak", and "Heal"

HAPPY STALKING!

I left my heart in Afghanistan

I guess I’ve been slacking a bit in the blog department. Sorry. Got caught up in the whirlwind of a new semester (more on that later). In the meantime, many thanks to my friend, Nate Jacobs, for saving me the trouble of coming up with a whole post. These insightful and articulate thoughts come from him:

I seem to learn more and more about myself every day since I left the military. Today I came across a guy who happened to be an Iraq veteran. Meeting another vet was like giving water to a thirsty man. I really haven't encountered any other vets since coming to Portland. Instantly there was a bond at what I haven't experienced in a while. Finally, someone who understood. Finally, someone who I didn't have to explain myself to. Our conversation became a game of how many war stories we could share we before we had to go our ways. I can tell he felt the same relief that I did having encountered another vet.

This just goes to show the power of the military bond. I left the military of my own choice. However I left a large chunk of my heart and soul in Iraq. I really wanted the Iraqis to learn and take control of their country. I really wanted the violence to stop. I had committed 100% of my being to doing whatever was in my power to make that happen. Like a Band-Aid ripped off a wound, it's not a clean separation. There's a little bit of Iraq still left in me. I can only hope there's a little bit of me left in Iraq.

Oddly enough, tonight I came home after the experience and turned on the TV. There was a TV show about a bunch of vets honoring a recently fallen 101 Airborne troop who had died in Iraq. The imagery and the playing of taps instantly brought me to tears and I cried like a child. That proverbial Band-Aid covers a wound that will always stay fresh. A wound that I never want to heal. I left the military. The military will never leave me. Iraq affected me profoundly and I'm grateful for the experience.

Well said, Nate.

Sometimes I forget how much Afghanistan affected me. No, that’s a lie. Sometimes I deny it. Nobody really wants to be tethered to – let alone defined by – a singular experience. Even an Olympic champion probably doesn’t want to be known just as an Olympic champion. Every champion has a face and a name and a personality, and a multitude of experiences that come before and after that crowning event.

But it’s impossible – and erroneous – to try to separate the two. That moment in the arena, in the pool, on the track, was the culmination of months and years of blood, sweat and tears, intense focus and commitment, passion and perseverance. And it made an impact; sent reverberations from the champion’s life to the world in the pages of history books. You can take the champion off the podium, but his footprints remain.

You can take the girl out of Afghanistan, but you can’t take Afghanistan out of the girl.

I learned so much from my military experience. I discover new lessons every day. Granted, some of the lessons suck: Life isn’t fair, idealism isn’t realistic, people have the capacity for tremendous cruelty, no one looks good in tapered light gray sweatpants. But in the real world, the bad comes with the good; and someday, hopefully, eventually, they even out. Or maybe, if you work at it, they even leave you in the positive. That’s what I’m shooting for when I pour my wine glass a little more than half-full.

Like Nate, I truly hope I left a piece of myself in Afghanistan. I’ll never know for sure. And I think it’s the not knowing that makes the separation so hard for me. An Olympic champion has the history books; concrete written proof that he left his mark on the world. In a warzone, nothing is quite so concrete. You have the statistics: number of missions completed, bad guys killed, schools built. But what does that mean? Even the concrete walls around the schools my team helped build could be whittled away with the picking of a fingernail.

Nothing is concrete, except the memories.

So where does that leave us? Inexorably tied to a place and a time we’ll never be again; perhaps sometimes even wistful for it because whether we like it or not, it does, at least to some extent, define us.

I guess I’ll think of myself as a puzzle. Afghanistan and the military are big pieces that don’t necessarily fit snugly with everything else. Do I need to bend and reshape them? Or mold everything else around that chunk? Or do I need to forge new pieces to fill the gaps? I don’t know. Maybe I’ll always be a bit skewed and misshapen. And maybe, in the end, I’m better for it.

At least I won’t be wearing tapered light gray sweatpants.